Annika Eriksson

CV

• Selected Solo Exhibitions and Projects

  • 2023
    • Staff at Migros Museum, commissioned by Migros Museum für Gegenwartskunst, Zürich for Acts of Friendship Part 3
  • 2022
    • In the Shadows of Tall Necessities, group show, Bonner Kunstverein. Curated with Fatima Hellberg
    • Mission and Dogs that Know when their Owners are Coming Home, commissions for In the Shadows of Tall Necessities, Bonner Kunstverein. Curated with Fatima Hellberg
    • The Gin Closet and Sign, commissions as collaboration Ada Frände for In the Shadows of Tall Necessities, Bonner Kunstverein. Curated with Fatima Hellberg
    • Kinderkultur 2, commission for Galerie für Zeitgenössische Kunst Leipzig.
    • Anden inåt, commission for dwellings, Canopy, Malmö
  • 2021
    • Kinderkultur (1). Commission for The TV-Trampoline at CCC Fabrica, Moscow. Curated by Maria Lind and Andjeas Ejiksson
    • Shelter I and II. Commission for The Holding Environment, Bonner Kunstverein. Curated by Fatima Hellberg
    • Fenster (Wand und Vogel), (Vorhang und Aufkleber),  (Teppich und Vögel) Commission as Ada Frände (with Fatima Hellberg) for The Holding Environment, Bonner Kunstverein. Curated by Fatima Hellberg
  • 2020
    • A Rehersal. Commission for Hordaland Kunstsenter, Bergen. Curated by Scott Elliot
  • 2019
    • ANIMAL, Tate Liverpool and St John’s Market, Liverpool. Curated by Michael Birchall
    • As we passed them, commission for Sinop Biennial 7, Here and Where/A Politics of Location. Curated by Mona Mahall and Asli Serbest
  • 2018
    • Cat Portrait and Other Works, Kunsthall Oslo. Curated by Will Bradley
  • 2017
    • The Social, Moderna Museet Malmö. Curated by Joa Ljungberg
    • Geese Rule (for the brave and frustrated Geese of Avanos) commission for the Cappadox Festival, Kapadokya. Curated by Fulya Erdemici and Kevser Guler
  • 2016
    • Past Lives Selector, commission for Finnish Landscape, Seurasaari and Checkpoint Helsinki. Curated by Joanna Warsza
    • Hamlet, Künstlerhaus Stuttgart, group exhibition curated with Fatima Hellberg
  • 2015
    • In Preparation for a Psychodrama, commission for Public Art Agency, Stockholm. Curated by Lisa Rosendahl
    • Adventure Ahead, commission for Gymnasium, Lincoln, UK. Curated by Jeanine Griffin
    • Something is here nothing is here (Horror), commission for SITE Residency, BAC in Novosibirsk. Curated by Liva Paldi and Sebastian Cichocki
  • 2014
    • Now you see us now you don’t, Krome Gallery, Berlin
  • 2013
    • I am the dog that was always here (loop), commission for 13th Istanbul Biennale. Curated by Fulya Erdemici
    • Now you see us now you don’t, commission for 5533, Istanbul. Curated by Filiz Avunduk
    • Reversed, commission for Constellation Donostia, Museo San Telmo Donostia, San Sebastian. Curated by Peio Aguire
    • Between the walls of this building and between the covers of these books, commission for Critical Mass, Sankt Petersburg. Curated by Anna Bitkina
  • 2012
    • Psychic (The past the present the future), commission for When Attitudes Becomes Form Become Attitudes, CCA Wattis, San Francisco. Curated by Jens Hoffman
    • The Trilogy, Künstlerhaus Stuttgart. Curated by Adnan Yildiz
    • A Rehearsal/Fable of the Bees, commission for Flat Time House, London. Curated by Fatima Hellberg
    • The Great Good Place, Krome Gallery, Berlin
  • 2011
    • Wir Bleiben, commission for Europe n, GFZK, Leipzig. Curated by Peio Aguirre
    • The Parade, commission for Public Folklore, Steirischer Herbst/Grazer Kunstverein, Graz. Curated by Sören Grammel
    • The plan was sound; its execution faulthy, commission for Symphony/Sound Fair, Vernerklausen Verner, Berlin. Curated by Clara Meister, Ari  Benjamin Meyers and Thomas Mayer
  • 2010
    • The Kitchen, commission for Correct me if I’m Critical, Felleshuset, Café Nest, Berlin and Yakub, Istanbul. Curated by Adnan Yildiz
    • Hanna Arendt Band, commission for Correct me if I’m critical, Basso, Berlin. Curated by Adnan Yildiz.
    • Wir sind wieder da, DAAD Galerie, Berlin. Curated by Ariane Beyn
    • Hayward Gallery, commission for Hayward Gallery, London. Curated by Tom Morton
  • 2009
    • We are not who you think we are 1-4, commission for Lapdogs of the Bourgeoisie, Arnolfini, Bristol (2009), Townhouse, Cairo (2008), Tensta Konsthall, Stockholm (2008), Platform Garantie, Istanbul (2007), Gasworks, London (2006). Curated by Nav Haq and Tirdad Zolghadr
    • A Rehersal, commission for Live Art, Kunstnernes Hus, Olso
  • 2008
    • The Prize of Forgiveness, Index, Stockholm and Dakar Biennale. Curated by Mats Stjernstedt
    • Maximum Happiness, Yes, No and Other Options, Sheffield Biennale. Curated by Jan Verwoert
    • Annika Eriksson, Gothenburg Konsthall
    • Museum Anna Nordlander, Skellefteå
    • The Man in the Park, commission for Mobile Art Productions, Stockholm. Curated by Magdalena Malm
  • 2007
    • Thirty-Nine Years Later, commission for Reading back and forth, Sterlische Herbst, Stadtmuseum Graz. Curated by Reinard Brown
    • The Soundtrack, Cubitt Gallery, London. Curated by Tom Morton
  • 2006
    • Eine Probe, Kunstverein Langenhagen
    • Ms Jauns and her Team, commissioned by Volkswagen, Wolfsburg
    • Berlin in Eight Hours commissioned for Tokyo-Berlin Berlin-Tokyo, Mori Art Museum, Tokyo. Curated by Mami Kataoka and Davis Elliot
    • Staff at Mori Art Museum commission for Tokyo-Berlin Berlin-Tokyo, Neue Nationalgalerie, Berlin. Curated by Mami Kataoka and David Elliot
    • The Brainchild commission for Happy Believers, Werkleitzbiennale, Halle. Curated by Solveig Olesen
  • 2005
    • Games Machine, commission for IASPIS and Venice Biennale. Curated by Sara Arrhenius
    • The Construction 4, commission for 24 Hour Incidental, Performa05, Swiss Institute, New York. Curated by Jordan Wolfson
  • 2004
    • Do you want an Audience? Comission for Frieze Projects, Frieze Art Fair, London. Curated by Polly Staple
    • The Session, commission for BerlinNorth, Hamburger Bahnhof, Berlin. Curated by Gabriele Knapstein
  • 2003
    • Arbeitswelt, commission for Kunstverein, Munich. Curated by Maria Lind
    • Why did you go to Düsseldorf? Commission for Spektakular-The Art of Action, Museum Kunstpalast, Düsseldorf. Curated by Jens Hoffman
    • The Future is Here, commisison for Perefic Biennale, Iasi, Romania. Curated by Anders Kruger
  • 2002
    • Staff at Sao Paulo Biennale, commission 25th Biennale de Sao Paulo. Swedish participation curated by Maria Lind
  • 2001
    • Anagram, commission for Vi-Intentional Communities, Rooseum, Malmö and CAC Vilnius. Curated by Charles Esche
    • Staff at Malmö Konst Museum, Malmö Konst Museum
    • Curating Students Goldsmith College, Goldsmiths College, London
    • Cat Conversation, commission for Magnetic Speach, The Bastad no. 7. Curated by Clémentine Deliss.
  • 2000
    • Connecticut Fire Fighters Pipes and Drums, commission for Speed of Vision, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
    • The Construction 2, commission for Democracy, Royal College of Art Galleries, London
    • The Construction 3, Andréhn Schiptjenko, Stockholm
    • Staff at Moderna Museet, commission for Organizing Freedom, Moderna Museet, Stockholm. Curated by David Elliot
    • Negativ bakgrundsmusik, Sveriges Radio, Stockholm
    • Soziale Sabotage-Eine Übung, commission for DisPlaced, Sophienhof, Kiel
    • People working in this Area, commission for Shout and Scream, Münster
  • 1999
    • Soziale Sabotage, commission for Museum in Progress, Vienna. Curated by Hans Ulrich Obrist and Daniel Birnbaum
    • The Hidden Power of Humanity, Medborgarplatsen, Stockholm
  • 1998
    • Collectors, commission for Moderna Museet Projekt, Stockholm. Curated by Maria Lind
    • Silberlocken, commission for Do all oceans have walls? Gesellschaft für Aktuelle Kunst, Bremen. Curated by Eva Schmidt
  • 1997
    • Everything will be alright, commission for Strange encounters, Bricks and Kicks, Vienna.
    • Ernst Fussers Dream, commission for X-squared, Sessesion, Vienna. Curated by Andreas Siegel
  • 1996
    • Copenhagen Postmen’s Orchestra, commission for Now-Here Work in Progress, Louisiana Museum of Modern Art, Humlebæck. Curated by Iwona Blazwick
    • Stockholm’s Postmen’s Orchestra, commission for Andréhn Schiptjenko, Stockholm
    • Two Men and a Sheep 3, commission for I am curious/Come and see us, Independent Art Space, London. Curated by Mats Stjernstedt
  • 1995
    • Two Men and a Sheep, 1, Östermalm, Stockholm and 2, Hackescher Höfe, Berlin
    • Three Possibilities, for Sveriges Television, Stockholm. Curated by CM von Hausswolf
    • Mamma, Enkehuset, Stockholm. Curated with Magnus Bärtås and Peter Hagdah
  • 1993
    • Plantering med gråtande hus, Norrtälje Konsthall
  • 1992
    • En annan resa, Malmö Konst Museum
  • 1991
    • Får jag lov att presentera? Shopwindows, Värnhemstorget, Malmö. Curated with David Krantz, Michael Johansson and Leif Palmqvist

• Selected Group Exhibitions and Screenings

  • 2023
    • Obsession, NAC, Nida Art Colony, Lithuania. Curated by Anastasia Sosunova
    • You don’t love me yet, Dupont Underground, Washington D.C
    • TV-Trampolinen, Norrtälje Konsthall. Curated by Andjeas Ejiksson and Maria Lind
    •  
  • 2022
    • ARS22 -The Common Place, Kiasma, Helsinki
    • Rounded by Sleep, Arter, Istanbul. Curated by Eda Berkmen
    • Arts & Crafts Object Expo, Die Kette Moabit. Curated by Veit Laurent Kurz
    • Piers, Legacy Art Galleries, University of Victoria
    • Alphabet Project, Muzeum Książki Artystycznej. Curated by Lou Cantor
    • TV-Trampoline/Barnkultur, Kalmar Konstmuseum and Bildmuseet, Umeå. Curated by Andjeas Ejiksson and Maria Lind
  • 2021
    • Tokyo Arts & Crafts Object Expo, xyz collective, Tokyo. Curated by Veit Laurent Kurz and COBRA
    • Studio Bosporus 10 Jahre Kulturakademie Tarabya, Kunstraum Kreuzberg, Berlin
    • I am Multitude, The Artic Arts Festival, Harstad, Norway. Curated by Torill Østby Haaland
    • The Session screening at 67 Short Film Festival Oberhausen
    • We are Animals, Kunsthal Rotterdam
    • Scenarios, day for night, Kino International and other cinemas, Berlin. Curated by Dominique Hurt and Susanne Bürner
  • 2020
    • Animals in Art, Arken Museum for Moderne Kunst, Copenhagen
    • A Hypothetical Show for a Closed Museum, M Woods Museum, Beijing. Curated by Viktor Wang
  • 2019
    • Part of the Labyrint, Gothenburg International Biennial for Contemporary Art. Curated by Lisa Rosendahl
  • 2018
    • Stories of Belonging, Tartu Art Museum. Curated by Hanna-Liis Kont
    • Art and Shops, Tensta Konsthall, Stockholm. Curated by Maria Lind and Hanna Nordell
    • A Screening program by Birbucuk, Recontre Avec, Nice. Curated by Kevser Guler
    • I am the dog that was always here (loop), screening, X-berg Pavilion. Curated by Burak Erkil.
    • Past Lives Selector screened at Video Art After Midnight, Babylon Kino, Berlin. Curated by Olaf Stüber
  • 2017
    • After the Exhibition, HKS, Bergen. Curated by Anthea Buys
    • 298 111 OFF Museum Program, Museum Slaskie, Katowice. Curated by Sebastian Cichocki
    • Survival Kit, Latvian Centre for Contemporary Art, Riga. Curated by Inga Lace, Solvita Krese and Jonathan Habib Enqvist
    • Show and Tell, Malmö Konstmuseum. Curated by Cecilia Wiedenheim and Matts Leiderstam
    • About Charlotte von Mahlsdorf (I am a perfectly happy person). Lecture for for Berliner Sessions, Kunstwerke and DAAD, Berlin
  • 2016
    • Outside the Sentence there was a city SALT Ulus, Ankara. Curated by November Paynter
    • If all of the Moons, Savvy Contemporary, Berlin
  • 2015
    • Future Light, Vienna Biennale. Curated by Maria Lind
    • Mirror Images, Medizinhistorisches Museum der Charité, Berlin and Kunstmuseum Thun. Curated by Alessandra Pace
    • Life’s finest values, Kunsthalle Exnergasse, Vienna. Curated by Ina Wudke and Florian Wust
    • Every inclusion is an exclusion of other possibilities, Salt, Istanbul. Curated by November Paynter and Vasif Kortun
    • The Nordic Model, Malmö Konst Museum
  • 2014
    • Menagerie Australian Centre for Contemporary Art, Melbourne
    • Operating in Multiple Realities/What Now, screening at Art in General, New York. Curated by Basak Senova
  • 2013
    • Video presentation at Video Art after Midnight, Kino Babylon, Berlin. Curated by by Olaf Stüber and Ivo Wessel
  • 2012
    • Shanghai Biennale Istanbul section. Curated by Defne Ayas
    • The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev Biennale. Curated by David Elliot
  • 2011
    • Døgnvill, Lofoten. Curated with Mats Stjernstedt
  • 2010
    • Squatting/Erinnen, Vergessen, Besetzen, Temporäre Kunsthalle, Berlin. Curated by Tilo Schultz
    • Manufacturing Today, Trondheim, Norway. Curated by Christina Ricupero
    • Le Temps du Corps Centre Cultural Suedois, Paris
    • Schazam, Gallery GerhardsenGerner, Berlin
  • 2009
    • Code Share, CAC, Villnius
    • Zeigen an Audotour Temporäry Kunsthalle, Berlin. Curated by Karin Sander
  • 2008
    • The Greenroom, Bard College, New York. Curated by Maria Lind
    • The Sound I’m looking For, Emily Carr Institute, Vancouver
    • Museum as a Medium, Vigo Museum of Contemporary Art, Vigo and Koldo Mitxelena, San Sebastian
  • 2007
    • Die Präsenproduzenten, Kunsthalle im Haus für Ideen, Columbus Art Foundation, Ravensburg. Curated by Tilo Schultz
    • Collectors, Trafo Gallery Budapest
    • Äkta Vara, Röda Sten, Gothenburg. Curated by Lisa Rosendahl
    • The institutions as a Microcosm; Do we really have to do this? Lecture, Overgaden, Copenhagen
  • 2006
    • Tokyo-Berlin Berlin-Tokyo, Mori Art Museum, Tokyo and Neue Nationalgalerie, Berlin. Curated by Mami Kataoka and David Elliot
    • Archaeology of Reality, Latvian Contemporary Art Centre, Riga. Curated by Solvita Krese
    • Verkehrskultur, Kunstverein Münster. Curated by Anja Casser
    • Traurig sicher: On Insecurity and other Fears, Grazer Kunstverein, Graz. Curated by Sören Grammel.
    • Modernautställningen, Moderna Museet, Stockholm. Curated by Magdalena Malm, Fredrik Liew and JP Nilsson
    • 40jahrevideokunst.de, Museum der Bildenden Künste Leipzig, Lenbachhaus München, Kunsthalle Bremen, ZKM Karlsruhe, K21 Düsseldorf and Kulturstiftung des Bundes, Halle
  • 2005
    • You only live twice, Man in the Holocene/Fortescue Avenue, London. Curated by Tom Morton
    • Circa Berlin, Nicolai Contemporary Art Center, Copenhagen. Curated by Simon Sheik
    • Spectacle, Pleasure Principle or the Carnevalesque, Shedhalle, Zurich. Curated by Katharina Schleiben
  • 2004
    • Live, Palais de Tokyo, Paris. Curated by Johannes Fricke Waldhausen
    • Off the Record, ARC, Museé dÁrt de la Ville de Paris
    • Sparwasser at Platform, Platform, Istanbul. Curated by Lisa Nellerman
    • Social Affairs, Ministery of Social Affairs, Hauge. Curated by Bik van der Pool
  • 2003
    • Biennale De L’image, Geneva. Curated by Charles Esche
    • Es ist schwer das Reale zu berühren, screening, Kunstverein München. Curated by Maria Lind and Søren Grammel
  • 2002
    • Teaser, DAAD Gallerie, Berlin
    • The music in me, Gessellschaft für Aktuelle Kunst, Bremen.
    • Reopening, Moderna Museet, Stockholm
    • Nordic Images, Elba Benitez Galeria, Madrid
    • Language-Dialogue, National Museum of Contemporary Art, Korea
    • Fixation:Notions of Obsession Lopez Memorial Museum, Manilla
    • Moderna Museet c/o Magasin 3 Stockholm Konsthall
  • 2001
    • Everything can be different, Independent Curators International, New York. Curated by Maria Lind
  • 2000
    • Dak Art, Biennale, Dakar. Curated by David Elliot
  • 1999
    • Retake NAK Neuer Aachener Kunstverein. Curated by Ulrike Groos and Raimar Stange
  • 1998
    • Come Closer, 90s Art from Scandinavia and some Predecessors, Liechtensteinischen Staatlichen Kunstsammlung, Vaduz, Nicolaikirke, Copenhagen and Museum Ludwig, Budapest. Curated by Maria Lind
    • Nuit blanche, Museé d’art Moderne, Ville de Paris. Curated by Hans Ulrich Obrist
    • Best Before, Offenses Kulturhaus, Linz, Galerie 5021, Saltzburg
    • Little big stories, The Museum of the city of Skopje and Riksarkivet, Stockholm. Curated by Suzanna Milevska
    • A visit from Stockholm, James van Damme Gallery, Bryssel
    • Stuff it, Ynglingagatan, Stockholm
  • 1997
    • Letter and Event, Apex Art, New York. Curated by Maria Lind
    • Conspiracy, Soap Factory, Aten, FOKA, Thessaloniki and Uppsala Konstmuseum. Curated by Magnus Bärtås
  • 1996
    • Reternity, Nationalmuseum, Stockholm
  • 1994
    • New reality Mix performance festival, Stockholm. Curated by Lotta Antonsson, Annika von Hausswolf , CM von Hausswolf, Karl Holmqvist and Henrik Håkansson
  • 1993
    • Feel Good Gallery, in my studio, Stockholm
    • ICA Malmborgs City Shopping mall, Malmö. Curated by Mats Stjernstedt and Åsa Nacking
    • Vredgar ett konstnärsliv, lecture, ABF huset, Stockholm
  • 1991
    • Begär och begränsning, Forum, Stockholm, Hårlemans hall, Malmö and Konstepedemien, Gothenburg. Curated by Peter Hagdahl

• Selected Lectures and Workshops

  • 2020
    • Lecture and conversation with Jörg Heiser, Institute for Art in Context, Universität der Künste, Berlin
  • 2019
    • Lecture and studio visits, Academy of Fine Arts, Nürnberg
    • The Voice of the Artist, workshop, Umeå Academy of Fine Arts
  • 2018
    • Alpha Centauri, workshops and exhibition in collaboration with Fatima Hellberg and Künstlerhaus Stuttgart with students from Royal Institute of Art, Stockholm and Staatliche Akademie der Bildenden Künste Stuttgart
    • The Secret Project, in the women prison Färingsö, outside Stockholm, workshop and exhibition, with students from the Royal Institute of Art, Stockholm
  • 2017
    • I am a perfectly happy person (Charlotte von Mahlsdorf), lecture for Berliner Sessions, Kunst-Werke Institute for Contemporary Art, Berlin
    • Everything can not be controlled by the will, Jakobsgården, Bredäng/Stockholm, workshop and public presentation, with students from the Royal Institute of Art, Stockholm
  • 2015
    • Lecture, Akademie der Künste, Berlin
    • Lecture, University of Lincoln, UK
    • Lecture, Oslo National Academy of the Arts
  • 2014
    • Lecture and studio visits, Nottingham University
    • The Gods have Landed, workshop and public presentation in collaboration with Västerbottens Museum with students from Umeå Akademy of Fine Arts
    • Conversation with Jan Verwoert, Krome Gallery, Berlin
  • 2010
    • Conversation with Jan Verwoert, Temporary Kunsthalle, Berlin
    • Lecture and studio visits, Weimar Art Academy
    • Hallucinations of Unrealised Futures, workshop and public presentation in the city of Bergen with students from the Art Academy, Bergen
  • 2008
    • Conversation with Tom Morton, Portavilion, Regent’s Park, London
    • Conversation with Mats Stjernstedt, Gothenburg Konsthall
  • 2007
    • I Folkets Park, workshop and public presentation in the Peoples Park, Malmö with students from the Art Academy of Malmö
    • Lecture and studio visits, Art Academy Bergen
    • The institutions as a Microcosm; Do we really have to do this?  Lecture, Overgaden, Copenhagen
  • 2006
    • Hökarängen/En öppen ej stad bygger vi gemnsamt, workshop and public presentation in the area of Hökarängen with students from the Royal Art Academy Stockholm
    • Lecture, London College of Communication
    • Lecture, Mori Art Museum, Tokyo
  • 2005
    • Lecture, Art Academy Hamburg
  • 2003
    • Lecture, Platform Garanti Contemporary Art Center, Istanbul
    • Lecture, Akademie der Künste, Berlin
  • 2002
    • Lecture, Academy of Visual Arts, Leipzig
    • Lecture, DAAD Gallery, Berlin
    • Lecture and workshop, Art Academy Valand, Gothenburg
  • 2001
    • Lecture and workshop, Goldsmiths College, London
  • 1997
    • KomKom, workshop and public presentation in a bar in Stockholm with students from Konstfack, Stockholm
  • 1996
    • Normality, workshop and public presentations in various shop windows with students from Konstfack, Stockholm
  • 1995
    • Lecture and workshop, Konstfack, Stockholm
    • Lecture and studio visits, Malmö Art School Forum

• Teaching Positions

  •  

    Umeå Academy of Fine Arts, as professor 50%, 2020 –

    Faculty of Fine Art, Music and Design, Bergen as adjunct professor 20%, 2011 –2022

    The Royal Institute of Art, Stockholm, as visiting professor, 100%, 2017 – 2019

    Malmö Art Academy, as adjunct professor, 50%, 2003 – 2009

    Konstfack University of Arts, Craft and Design, Stockholm as lecturer, 50%, 1996 – 2002