![](https://annikaeriksson.com/wp-content/uploads/2022/12/in-the-shadows-of-tall-necessities-at-bonner-kunstverein-artforum-international.jpg)
- Ada Frände/It is Light
- Checking the Stove
- In the Shadows of Tall Necessities
- Mission
- Kinderkultur
- Ada Frände/The Holding Environment
- Shelter 1, 2
- ANIMAL
- Cat Portrait and Other Works
- The Social (show)
- The Social (work)
- and they were very loved
- Hamlet
- Past Lives Selector
- In Preparation for a Psychodrama
- Something is here nothing is here (Horror)
- I am the dog that was always here (loop)
- Now you see us now you don’t
- Psychic
- The Parade
- Shop Front Coherence
- Hayward Gallery
- The Community
- Wir sind wieder da
- Wir sind wieder da (photos)
- Empty Billboards 2007-2010
- The Kitchen
- Hannah Arendt Band
- Maximum Happiness
- The Last Round of Changes
- We are not who you think we are 1–5
- Thirty Nine Years Later
- A Rehearsal 1–5
- Games Machine
- The Session
- The Construction 1-4
- Do You Want an Audience?
- Arbeitswelt
- Klas dansar
- Anagram
- People working in this area
- Staff at Moderna Museet
- Cat Conversation
- Soziale Sabotage – Eine Übung
- Negativ bakgrundmusik
- Collectors
- Ett familjeprojekt
- Hidden Power of Humanity Five Years Later
- Copenhagen Postmen’s and Stockholm Postmen’s Orchestra
- Three Possibilities
- Wicked Game
- Mansjour
- Two men and a sheep 1–3
- Twelve Parcels from my Mother 1993-1995
- The Agents
- En fruktansvärd sammansvärjning
- Sammankomsten
- Får jag lov att presentera?
- Du kan önska vad du vill
![](https://annikaeriksson.com/wp-content/uploads/2022/12/in-the-shadows-of-tall-necessities-at-bonner-kunstverein-artforum-international.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2022/12/2-kunstforum_international_285_pohlen_intheshadowsoftallnecessities-kopia-1-scaled.jpg)
Kunstforum October 2022 – Download PDF
![](https://annikaeriksson.com/wp-content/uploads/2022/12/22ars22-living-encounters22-kiasma-helsinki-flash-art-scaled.jpg)
Flash October 2022 – Download PDF
![](https://annikaeriksson.com/wp-content/uploads/2022/12/necessities-1.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2022/12/necessities-2.jpg)
In the Shadows of Tall Necessities, Bonner Kunstverein – Download PDF
![](https://annikaeriksson.com/wp-content/uploads/2022/12/annika-erikssonkinderkultur-monopol-scaled.jpg)
Monopol February 2022 – Download PDF
![](https://annikaeriksson.com/wp-content/uploads/2022/12/the-tv-trampoline-ljusare-from-childrens-television-to-contemporary-art-and-literature-at-cci-fabrika-scaled.jpg)
Artforum December 2021 – Download PDF
![](https://annikaeriksson.com/wp-content/uploads/2021/11/review_taylor_tzk-123_-1.jpg)
Texte zur Kunst – Download PDF
![](https://annikaeriksson.com/wp-content/uploads/2021/11/kunstforum_international_275_pohlen_the_holding_environment_bonner_kv-1.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2021/11/kunstforum_international_275_pohlen_the_holding_environment_bonner_kv-2.jpg)
Kunstforum May 2021 – Download PDF
![](https://annikaeriksson.com/wp-content/uploads/2017/11/FRIEZE-MAY-2017.jpg)
The Social, Tom Morton, Frieze Magazine, 2017
![](https://annikaeriksson.com/wp-content/uploads/2017/10/Kunstkritikk-—-Radical-Hanging-Out.jpg)
Radical Hanging Out, Lars-Erik Hjertström Lappalainen, Kunstkritikk 2017
![](https://annikaeriksson.com/wp-content/uploads/2017/10/Hamlet-page-1-3-3.jpg)
Hamlet, group exhibition curated with Fatima Hellberg, Künstlerhaus Stuttgart, 2016
![](https://annikaeriksson.com/wp-content/uploads/2017/10/Adventure-Ahead-01.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2017/07/A_Brian_Kuan_Wood_The_Playground.gif)
![](https://annikaeriksson.com/wp-content/uploads/2017/07/A_Brian_Kuan_Wood_The_Playground_2.gif)
The Playground was actually a spaceship was actually an office building was actually a playground was actually a spaceship, Brian Kuan Wood catalogue text for Adventure Ahead, Gymnasium, Lincoln UK, 2015
![](https://annikaeriksson.com/wp-content/uploads/2017/03/4-jan-verwoert-with-images-from-the-show-2014-1.jpg)
The City, the camera, the dog, Jan Verwoert, presstext for solo show at Krome Gallery, Berlin, 2014
![](https://annikaeriksson.com/wp-content/uploads/2019/11/frieze.jpg)
Annika Eriksson Künstlerhaus Stuttgart, Michael Birchall, Frieze d/e, 2012
![](https://annikaeriksson.com/wp-content/uploads/2019/11/dennatext-more-space.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2017/10/12-Last-Round.jpg)
The Last Round of Changes, artist book, Gothenburg Kunsthall, text by Will Bradley, 2008
![](https://annikaeriksson.com/wp-content/uploads/2017/08/Artforum_B.jpg)
Annika Eriksson at DAAD Gallery, Michéle Faquet, Art Forum, 2010
![](https://annikaeriksson.com/wp-content/uploads/2017/11/7-Games-Machine.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2019/11/frieze-1-1.jpg)
Tirdad Zolghadr, Frieze magazine, 2005
![](https://annikaeriksson.com/wp-content/uploads/2019/11/connecting1.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2019/11/connecting-2-scaled.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2019/11/connecting-3-scaled.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2018/01/SP_2.jpg)
Connecting, Jens Hoffman, Catalogue for Sao Paulo Bienniale 2002
![](https://annikaeriksson.com/wp-content/uploads/2017/08/Artforum-Review.jpg)
Annika Eriksson at Andréhn Schiptjenko, Mats Stjernstedt, Art Forum, 2000
![](https://annikaeriksson.com/wp-content/uploads/2017/10/03_Dreadful.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2017/11/Maria-Lind-Tender-Spots.jpg)
Tender Spots, Maria Lind, catalouge The Conspiracy, Soap Factory Athens, Uppsala Konstmuseum and Bildmuseet, Umeå, 1997
![](https://annikaeriksson.com/wp-content/uploads/2017/08/I-am-Curious-combined-1.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2017/08/copenhagen-c_02.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2017/10/Annika-Eriksson-Karl-Holmquist.jpg)
Text by Karl Holmqvist, 1996
![](https://annikaeriksson.com/wp-content/uploads/2017/08/NOWHERE.jpg)
![](https://annikaeriksson.com/wp-content/uploads/2017/08/NOWHERE-1.jpg)
Social Interventions, Iwona Blazwick, for catalogue, NowHere/Work in Progress, Louisiana Museum for Modern Art, Humlebæck, 1996
CV
Selected Solo Exhibitions and Projects
-
2023
- Checking the Stove, commission by Plato City Gallery of Contemporary Art, Ostrava for Escaped, Found a Hideout, still on the Run (Animal News). Curated by Jakub Adamec, Edith Jerabkova, Eva Kotatkova and Zuzana Sramkova
- Staff at Migros Museum, commission by Migros Museum für Gegenwartskunst, Zürich for Acts of Friendship Part 3. Curated by Michael Birchall and Nadia Schdeider Willen
-
2022
- In the Shadows of Tall Necessities, group show, Bonner Kunstverein. Curated with Fatima Hellberg
- Mission and Dogs that Know when their Owners are Coming Home, commissions for In the Shadows of Tall Necessities, Bonner Kunstverein. Curated with Fatima Hellberg
- The Gin Closet and Sign, commissions as collaboration Ada Frände for In the Shadows of Tall Necessities, Bonner Kunstverein. Curated with Fatima Hellberg
- Kinderkultur 2, commission for Galerie für Zeitgenössische Kunst Leipzig.
- Anden inåt, commission for dwellings, Canopy, Malmö
-
2021
- Kinderkultur (1). Commission for The TV-Trampoline at CCC Fabrica, Moscow. Curated by Maria Lind and Andjeas Ejiksson
- Shelter I and II. Commission for The Holding Environment, Bonner Kunstverein. Curated by Fatima Hellberg
- Fenster (Wand und Vogel), (Vorhang und Aufkleber), (Teppich und Vögel) Commission as Ada Frände (with Fatima Hellberg) for The Holding Environment, Bonner Kunstverein. Curated by Fatima Hellberg
-
2020
- A Rehersal. Commission for Hordaland Kunstsenter, Bergen. Curated by Scott Elliot
-
2019
- ANIMAL, Tate Liverpool and St John’s Market, Liverpool. Curated by Michael Birchall
- As we passed them, commission for Sinop Biennial 7, Here and Where/A Politics of Location. Curated by Mona Mahall and Asli Serbest
-
2018
- Cat Portrait and Other Works, Kunsthall Oslo. Curated by Will Bradley
-
2017
- The Social, Moderna Museet Malmö. Curated by Joa Ljungberg
- Geese Rule (for the brave and frustrated Geese of Avanos) commission for the Cappadox Festival, Kapadokya. Curated by Fulya Erdemici and Kevser Guler
-
2016
- Past Lives Selector, commission for Finnish Landscape, Seurasaari and Checkpoint Helsinki. Curated by Joanna Warsza
- Hamlet, Künstlerhaus Stuttgart, group exhibition curated with Fatima Hellberg
-
2015
- In Preparation for a Psychodrama, commission for Public Art Agency, Stockholm. Curated by Lisa Rosendahl
- Adventure Ahead, commission for Gymnasium, Lincoln, UK. Curated by Jeanine Griffin
- Something is here nothing is here (Horror), commission for SITE Residency, BAC in Novosibirsk. Curated by Liva Paldi and Sebastian Cichocki
-
2014
- Now you see us now you don’t, Krome Gallery, Berlin
-
2013
- I am the dog that was always here (loop), commission for 13th Istanbul Biennale. Curated by Fulya Erdemici
- Now you see us now you don’t, commission for 5533, Istanbul. Curated by Filiz Avunduk
- Reversed, commission for Constellation Donostia, Museo San Telmo Donostia, San Sebastian. Curated by Peio Aguire
- Between the walls of this building and between the covers of these books, commission for Critical Mass, Sankt Petersburg. Curated by Anna Bitkina
-
2012
- Psychic (The past the present the future), commission for When Attitudes Becomes Form Become Attitudes, CCA Wattis, San Francisco. Curated by Jens Hoffman
- The Trilogy, Künstlerhaus Stuttgart. Curated by Adnan Yildiz
- A Rehearsal/Fable of the Bees, commission for Flat Time House, London. Curated by Fatima Hellberg
- The Great Good Place, Krome Gallery, Berlin
-
2011
- Wir Bleiben, commission for Europe n, GFZK, Leipzig. Curated by Peio Aguirre
- The Parade, commission for Public Folklore, Steirischer Herbst/Grazer Kunstverein, Graz. Curated by Sören Grammel
- The plan was sound; its execution faulthy, commission for Symphony/Sound Fair, Vernerklausen Verner, Berlin. Curated by Clara Meister, Ari Benjamin Meyers and Thomas Mayer
-
2010
- The Kitchen, commission for Correct me if I’m Critical, Felleshuset, Café Nest, Berlin and Yakub, Istanbul. Curated by Adnan Yildiz
- Hanna Arendt Band, commission for Correct me if I’m critical, Basso, Berlin. Curated by Adnan Yildiz.
- Wir sind wieder da, DAAD Galerie, Berlin. Curated by Ariane Beyn
- Hayward Gallery, commission for Hayward Gallery, London. Curated by Tom Morton
-
2009
- We are not who you think we are 1-4, commission for Lapdogs of the Bourgeoisie, Arnolfini, Bristol (2009), Townhouse, Cairo (2008), Tensta Konsthall, Stockholm (2008), Platform Garantie, Istanbul (2007), Gasworks, London (2006). Curated by Nav Haq and Tirdad Zolghadr
- A Rehersal, commission for Live Art, Kunstnernes Hus, Olso
-
2008
- The Prize of Forgiveness, Index, Stockholm and Dakar Biennale. Curated by Mats Stjernstedt
- Maximum Happiness, Yes, No and Other Options, Sheffield Biennale. Curated by Jan Verwoert
- Annika Eriksson, Gothenburg Konsthall
- Museum Anna Nordlander, Skellefteå
- The Man in the Park, commission for Mobile Art Productions, Stockholm. Curated by Magdalena Malm
-
2007
- Thirty-Nine Years Later, commission for Reading back and forth, Sterlische Herbst, Stadtmuseum Graz. Curated by Reinard Brown
- The Soundtrack, Cubitt Gallery, London. Curated by Tom Morton
-
2006
- Eine Probe, Kunstverein Langenhagen
- Ms Jauns and her Team, commissioned by Volkswagen, Wolfsburg
- Berlin in Eight Hours commissioned for Tokyo-Berlin Berlin-Tokyo, Mori Art Museum, Tokyo. Curated by Mami Kataoka and Davis Elliot
- Staff at Mori Art Museum commission for Tokyo-Berlin Berlin-Tokyo, Neue Nationalgalerie, Berlin. Curated by Mami Kataoka and David Elliot
- The Brainchild commission for Happy Believers, Werkleitzbiennale, Halle. Curated by Solveig Olesen
-
2005
- Games Machine, commission for IASPIS and Venice Biennale. Curated by Sara Arrhenius
- The Construction 4, commission for 24 Hour Incidental, Performa05, Swiss Institute, New York. Curated by Jordan Wolfson
-
2004
- Do you want an Audience? Comission for Frieze Projects, Frieze Art Fair, London. Curated by Polly Staple
- The Session, commission for BerlinNorth, Hamburger Bahnhof, Berlin. Curated by Gabriele Knapstein
-
2003
- Arbeitswelt, commission for Kunstverein, Munich. Curated by Maria Lind
- Why did you go to Düsseldorf? Commission for Spektakular-The Art of Action, Museum Kunstpalast, Düsseldorf. Curated by Jens Hoffman
- The Future is Here, commisison for Perefic Biennale, Iasi, Romania. Curated by Anders Kruger
-
2002
- Staff at Sao Paulo Biennale, commission 25th Biennale de Sao Paulo. Swedish participation curated by Maria Lind
-
2001
- Anagram, commission for Vi-Intentional Communities, Rooseum, Malmö and CAC Vilnius. Curated by Charles Esche
- Staff at Malmö Konst Museum, Malmö Konst Museum
- Curating Students Goldsmith College, Goldsmiths College, London
- Cat Conversation, commission for Magnetic Speach, The Bastad no. 7. Curated by Clémentine Deliss.
-
2000
- Connecticut Fire Fighters Pipes and Drums, commission for Speed of Vision, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
- The Construction 2, commission for Democracy, Royal College of Art Galleries, London
- The Construction 3, Andréhn Schiptjenko, Stockholm
- Staff at Moderna Museet, commission for Organizing Freedom, Moderna Museet, Stockholm. Curated by David Elliot
- Negativ bakgrundsmusik, Sveriges Radio, Stockholm
- Soziale Sabotage-Eine Übung, commission for DisPlaced, Sophienhof, Kiel
- People working in this Area, commission for Shout and Scream, Münster
-
1999
- Soziale Sabotage, commission for Museum in Progress, Vienna. Curated by Hans Ulrich Obrist and Daniel Birnbaum
- The Hidden Power of Humanity, Medborgarplatsen, Stockholm
-
1998
- Collectors, commission for Moderna Museet Projekt, Stockholm. Curated by Maria Lind
- Silberlocken, commission for Do all oceans have walls? Gesellschaft für Aktuelle Kunst, Bremen. Curated by Eva Schmidt
-
1997
- Everything will be alright, commission for Strange encounters, Bricks and Kicks, Vienna.
- Ernst Fussers Dream, commission for X-squared, Sessesion, Vienna. Curated by Andreas Siegel
-
1996
- Copenhagen Postmen’s Orchestra, commission for Now-Here Work in Progress, Louisiana Museum of Modern Art, Humlebæck. Curated by Iwona Blazwick
- Stockholm’s Postmen’s Orchestra, commission for Andréhn Schiptjenko, Stockholm
- Two Men and a Sheep 3, commission for I am curious/Come and see us, Independent Art Space, London. Curated by Mats Stjernstedt
-
1995
- Two Men and a Sheep, 1, Östermalm, Stockholm and 2, Hackescher Höfe, Berlin
- Three Possibilities, for Sveriges Television, Stockholm. Curated by CM von Hausswolf
- Mamma, Enkehuset, Stockholm. Curated with Magnus Bärtås and Peter Hagdah
-
1993
- Plantering med gråtande hus, Norrtälje Konsthall
-
1992
- En annan resa, Malmö Konst Museum
-
1991
- Får jag lov att presentera? Shopwindows, Värnhemstorget, Malmö. Curated with David Krantz, Michael Johansson and Leif Palmqvist
-
-
Selected Group Exhibitions and Screenings
-
2023
- Frequently asked questions, n.b.k. Neuer Berliner Kunstverein at Uferhallen, Berlin. Curated by Marius Babias and Anna Lena Seiser
- September Sessions, Filmform, Mint and Index, Stockholm. Curated by Emily Fahlén
- Obsession, NAC, Nida Art Colony, Lithuania. Curated by Anastasia Sosunova
- You don’t love me yet, Dupont Underground, Washington D.C
- TV-Trampolinen, Norrtälje Konsthall and Konstmuseet i Norr, Kiruna. Curated by Andjeas Ejiksson and Maria Lind
-
2022
- ARS22 -The Common Place, Kiasma, Helsinki
- Rounded by Sleep, Arter, Istanbul. Curated by Eda Berkmen
- Arts & Crafts Object Expo, Die Kette Moabit. Curated by Veit Laurent Kurz
- Piers, Legacy Art Galleries, University of Victoria
- Alphabet Project, Muzeum Książki Artystycznej. Curated by Lou Cantor
- TV-Trampoline/Barnkultur, Kalmar Konstmuseum and Bildmuseet, Umeå. Curated by Andjeas Ejiksson and Maria Lind
-
2021
- Tokyo Arts & Crafts Object Expo, xyz collective, Tokyo. Curated by Veit Laurent Kurz and COBRA
- Studio Bosporus 10 Jahre Kulturakademie Tarabya, Kunstraum Kreuzberg, Berlin
- I am Multitude, The Artic Arts Festival, Harstad, Norway. Curated by Torill Østby Haaland
- The Session screening at 67 Short Film Festival Oberhausen
- We are Animals, Kunsthal Rotterdam
- Scenarios, day for night, Kino International and other cinemas, Berlin. Curated by Dominique Hurt and Susanne Bürner
-
2020
- Animals in Art, Arken Museum for Moderne Kunst, Copenhagen
- A Hypothetical Show for a Closed Museum, M Woods Museum, Beijing. Curated by Viktor Wang
-
2019
- Part of the Labyrint, Gothenburg International Biennial for Contemporary Art. Curated by Lisa Rosendahl
-
2018
- Stories of Belonging, Tartu Art Museum. Curated by Hanna-Liis Kont
- Art and Shops, Tensta Konsthall, Stockholm. Curated by Maria Lind and Hanna Nordell
- A Screening program by Birbucuk, Recontre Avec, Nice. Curated by Kevser Guler
- I am the dog that was always here (loop), screening, X-berg Pavilion. Curated by Burak Erkil.
- Past Lives Selector screened at Video Art After Midnight, Babylon Kino, Berlin. Curated by Olaf Stüber
-
2017
- After the Exhibition, HKS, Bergen. Curated by Anthea Buys
- 298 111 OFF Museum Program, Museum Slaskie, Katowice. Curated by Sebastian Cichocki
- Survival Kit, Latvian Centre for Contemporary Art, Riga. Curated by Inga Lace, Solvita Krese and Jonathan Habib Enqvist
- Show and Tell, Malmö Konstmuseum. Curated by Cecilia Wiedenheim and Matts Leiderstam
- About Charlotte von Mahlsdorf (I am a perfectly happy person). Lecture for for Berliner Sessions, Kunstwerke and DAAD, Berlin
-
2016
- Outside the Sentence there was a city SALT Ulus, Ankara. Curated by November Paynter
- If all of the Moons, Savvy Contemporary, Berlin
-
2015
- Future Light, Vienna Biennale. Curated by Maria Lind
- Mirror Images, Medizinhistorisches Museum der Charité, Berlin and Kunstmuseum Thun. Curated by Alessandra Pace
- Life’s finest values, Kunsthalle Exnergasse, Vienna. Curated by Ina Wudke and Florian Wust
- Every inclusion is an exclusion of other possibilities, Salt, Istanbul. Curated by November Paynter and Vasif Kortun
- The Nordic Model, Malmö Konst Museum
-
2014
- Menagerie Australian Centre for Contemporary Art, Melbourne
- Operating in Multiple Realities/What Now, screening at Art in General, New York. Curated by Basak Senova
-
2013
- Video presentation at Video Art after Midnight, Kino Babylon, Berlin. Curated by by Olaf Stüber and Ivo Wessel
-
2012
- Shanghai Biennale Istanbul section. Curated by Defne Ayas
- The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev Biennale. Curated by David Elliot
-
2011
- Døgnvill, Lofoten. Curated with Mats Stjernstedt
-
2010
- Squatting/Erinnen, Vergessen, Besetzen, Temporäre Kunsthalle, Berlin. Curated by Tilo Schultz
- Manufacturing Today, Trondheim, Norway. Curated by Christina Ricupero
- Le Temps du Corps Centre Cultural Suedois, Paris
- Schazam, Gallery GerhardsenGerner, Berlin
-
2009
- Code Share, CAC, Villnius
- Zeigen an Audotour Temporäry Kunsthalle, Berlin. Curated by Karin Sander
-
2008
- The Greenroom, Bard College, New York. Curated by Maria Lind
- The Sound I’m looking For, Emily Carr Institute, Vancouver
- Museum as a Medium, Vigo Museum of Contemporary Art, Vigo and Koldo Mitxelena, San Sebastian
-
2007
- Die Präsenproduzenten, Kunsthalle im Haus für Ideen, Columbus Art Foundation, Ravensburg. Curated by Tilo Schultz
- Collectors, Trafo Gallery Budapest
- Äkta Vara, Röda Sten, Gothenburg. Curated by Lisa Rosendahl
- The institutions as a Microcosm; Do we really have to do this? Lecture, Overgaden, Copenhagen
-
2006
- Tokyo-Berlin Berlin-Tokyo, Mori Art Museum, Tokyo and Neue Nationalgalerie, Berlin. Curated by Mami Kataoka and David Elliot
- Archaeology of Reality, Latvian Contemporary Art Centre, Riga. Curated by Solvita Krese
- Verkehrskultur, Kunstverein Münster. Curated by Anja Casser
- Traurig sicher: On Insecurity and other Fears, Grazer Kunstverein, Graz. Curated by Sören Grammel.
- Modernautställningen, Moderna Museet, Stockholm. Curated by Magdalena Malm, Fredrik Liew and JP Nilsson
- 40jahrevideokunst.de, Museum der Bildenden Künste Leipzig, Lenbachhaus München, Kunsthalle Bremen, ZKM Karlsruhe, K21 Düsseldorf and Kulturstiftung des Bundes, Halle
-
2005
- You only live twice, Man in the Holocene/Fortescue Avenue, London. Curated by Tom Morton
- Circa Berlin, Nicolai Contemporary Art Center, Copenhagen. Curated by Simon Sheik
- Spectacle, Pleasure Principle or the Carnevalesque, Shedhalle, Zurich. Curated by Katharina Schleiben
-
2004
- Live, Palais de Tokyo, Paris. Curated by Johannes Fricke Waldhausen
- Off the Record, ARC, Museé dÁrt de la Ville de Paris
- Sparwasser at Platform, Platform, Istanbul. Curated by Lisa Nellerman
- Social Affairs, Ministery of Social Affairs, Hauge. Curated by Bik van der Pool
-
2003
- Biennale De L’image, Geneva. Curated by Charles Esche
- Es ist schwer das Reale zu berühren, screening, Kunstverein München. Curated by Maria Lind and Søren Grammel
-
2002
- Teaser, DAAD Gallerie, Berlin
- The music in me, Gessellschaft für Aktuelle Kunst, Bremen.
- Reopening, Moderna Museet, Stockholm
- Nordic Images, Elba Benitez Galeria, Madrid
- Language-Dialogue, National Museum of Contemporary Art, Korea
- Fixation:Notions of Obsession Lopez Memorial Museum, Manilla
- Moderna Museet c/o Magasin 3 Stockholm Konsthall
-
2001
- Everything can be different, Independent Curators International, New York. Curated by Maria Lind
-
2000
- Dak Art, Biennale, Dakar. Curated by David Elliot
-
1999
- Retake NAK Neuer Aachener Kunstverein. Curated by Ulrike Groos and Raimar Stange
-
1998
- Come Closer, 90s Art from Scandinavia and some Predecessors, Liechtensteinischen Staatlichen Kunstsammlung, Vaduz, Nicolaikirke, Copenhagen and Museum Ludwig, Budapest. Curated by Maria Lind
- Nuit blanche, Museé d’art Moderne, Ville de Paris. Curated by Hans Ulrich Obrist
- Best Before, Offenses Kulturhaus, Linz, Galerie 5021, Saltzburg
- Little big stories, The Museum of the city of Skopje and Riksarkivet, Stockholm. Curated by Suzanna Milevska
- A visit from Stockholm, James van Damme Gallery, Bryssel
- Stuff it, Ynglingagatan, Stockholm
-
1997
- Letter and Event, Apex Art, New York. Curated by Maria Lind
- Conspiracy, Soap Factory, Aten, FOKA, Thessaloniki and Uppsala Konstmuseum. Curated by Magnus Bärtås
-
1996
- Reternity, Nationalmuseum, Stockholm
-
1994
- New reality Mix performance festival, Stockholm. Curated by Lotta Antonsson, Annika von Hausswolf , CM von Hausswolf, Karl Holmqvist and Henrik Håkansson
-
1993
- Feel Good Gallery, in my studio, Stockholm
- ICA Malmborgs City Shopping mall, Malmö. Curated by Mats Stjernstedt and Åsa Nacking
- Vredgar ett konstnärsliv, lecture, ABF huset, Stockholm
-
1991
- Begär och begränsning, Forum, Stockholm, Hårlemans hall, Malmö and Konstepedemien, Gothenburg. Curated by Peter Hagdahl
-
Selected Lectures and Workshops
-
2023
- Extinction Burst, conversation with Fatima Hellberg and Elvia Wilk, Bonner Kunstverein
-
2020
- Lecture and conversation with Jörg Heiser, Institute for Art in Context, Universität der Künste, Berlin.
- No Ghost Need Apply, workshop and exhibition in the city center of Umeå with students from The Art Academy at Umeå University.
-
2019
- Lecture and studio visits, Academy of Fine Arts, Nürnberg
-
2018
- Alpha Centauri, workshops and exhibition in collaboration with Fatima Hellberg and Künstlerhaus Stuttgart with students from Royal Institute of Art, Stockholm and Staatliche Akademie der Bildenden Künste Stuttgart
- The Secret Project, in the women prison Färingsö, outside Stockholm, workshop and exhibition, with students from the Royal Institute of Art, Stockholm
-
2017
- I am a perfectly happy person (Charlotte von Mahlsdorf), lecture for Berliner Sessions, Kunst-Werke Institute for Contemporary Art, Berlin
- Everything can not be controlled by the will, Jakobsgården, Bredäng/Stockholm, workshop and public presentation, with students from the Royal Institute of Art, Stockholm
-
2015
- Lecture, Akademie der Künste, Berlin
- Lecture, University of Lincoln, UK
- Lecture, Oslo National Academy of the Arts
-
2014
- Lecture and studio visits, Nottingham University
- The Gods have Landed, workshop and public presentation in collaboration with Västerbottens Museum with students from Umeå Akademy of Fine Arts
- Conversation with Jan Verwoert, Krome Gallery, Berlin
-
2010
- Conversation with Jan Verwoert, Temporary Kunsthalle, Berlin
- Lecture and studio visits, Weimar Art Academy
- Hallucinations of Unrealised Futures, workshop and public presentation in the city of Bergen with students from the Art Academy, Bergen
-
2008
- Conversation with Tom Morton, Portavilion, Regent’s Park, London
- Conversation with Mats Stjernstedt, Gothenburg Konsthall
-
2007
- I Folkets Park, workshop and public presentation in the Peoples Park, Malmö with students from the Art Academy of Malmö
- The institutions as a Microcosm; Do we really have to do this? Lecture, Overgaden, Copenhagen
-
2006
- Hökarängen/En öppen ej stad bygger vi gemnsamt, workshop and public presentation in the area of Hökarängen with students from the Royal Art Academy Stockholm
- Lecture, London College of Communication
- Lecture, Mori Art Museum, Tokyo
-
2005
- Lecture, Art Academy Hamburg
-
2003
- Lecture, Platform Garanti Contemporary Art Center, Istanbul
- Lecture, Akademie der Künste, Berlin
-
2002
- Lecture, Academy of Visual Arts, Leipzig
- Lecture, DAAD Gallery, Berlin
- Lecture and workshop, Art Academy Valand, Gothenburg
-
2001
- Lecture and workshop, Goldsmiths College, London
-
1997
- KomKom, workshop and public presentation in a bar in Stockholm with students from Konstfack, Stockholm
-
1996
- Normality, workshop and public presentations in various shop windows with students from Konstfack, Stockholm
-
1995
- Lecture and workshop, Konstfack, Stockholm
- Lecture and studio visits, Malmö Art School Forum
-
Teaching Positions
-
Professor at Academy of Fine Arts at Umeå University, 2020 –
Visiting Professor at The Royal Institute of Art, Stockholm, 2017 – 2019
Adjunct Professor at Faculty of Fine Art Music and Design, Bergen, 2011 –2022
Adjunct professor at Malmö Art Academy, 2003 – 2009
Lecturer at Konstfack University of Arts, Craft and Design, Stockholm, 1996 – 2002
-