Radical Hanging Out, Lars-Erik Hjertström Lappalainen, Kunstkritikk 2017

The Social, Tom Morton, Frieze magazine, 2017

Hamlet, group exhibition curated with Fatima Hellberg, Künstlerhaus Stuttgart, 2016

The Playground was actually a spaceship was actually an office building was actually a playground was actually a spaceship, Brian Kuan Wood catalogue text for Adventure Ahead, Gymnasium, Lincoln UK, 2015

The City, the camera, the dog, Jan Verwoert, presstext for solo show at Krome Gallery, Berlin, 2014

Annika Eriksson Künstlerhaus Stuttgart, Michael Birchall, Frieze d/e, 2012

The Last Round of Changes, artist book, Gothenburg Kunsthall, text by Will Bradley, 2008

Annika Eriksson at DAAD Gallery, Michéle Faquet, Art Forum, 2010

Tirdad Zolghadr, Frieze magazine, 2005

Connecting, Jens Hoffman, Catalogue for Sao Paulo Bienniale 2002

Annika Eriksson at Andréhn Schiptjenko, Mats Stjernstedt, Art Forum, 2000

Tender Spots, Maria Lind, catalouge The Conspiracy, Soap Factory Athens, Uppsala Konstmuseum and Bildmuseet, Umeå, 1997

Social Interventions, Iwona Blazwick, for catalogue, NowHere/Work in Progress, Louisiana Museum for Modern Art, Humlebæck, 1996

CV

  • Selected Solo Exhibitions and Projects

    • 2019
      • As we passed them, commission for Sinop Biennial 7, Here and Where/A Politics of Location. Curated by Mona Mahall and Asli Serbest
      • ANIMAL, Tate Liverpool and St John’s Market, Liverpool. Curated by Michael Birchall
    • 2018
      • Cat Portrait and Other Works, Kunsthall Oslo. Curated by Will Bradley
    • 2017
      • The Social, Moderna Museet Malmö
      • Geese Rule (for the brave and frustrated Geese of Avanos) commission for the Cappadox Festival, Kapadokya, Turkey. Curated by Fulya Erdemici and Kevser Guler
    • 2016
      • Past Lives Selector, commission for Finnish Landscape, Seurasaari and Checkpoint Helsinki. Curated by Joanna Warsza
      • Hamlet, Künstlerhaus Stuttgart, group exhibition curated with Fatima Hellberg
    • 2015
      • In Preparation for a Psychodrama, commission for Public Art Agency, Stockholm. Curated by Lisa Rosendahl
      • Adventure Ahead, commission for Gymnasium, Lincoln, UK. Curated by Jeanine Griffin
      • Something is here nothing is here (Horror), commission for SITE Residency, BAC in Novosibirsk. Curated by Liva Paldi and Sebastian Cichocki
    • 2014
      • Now you see us now you don’t, Krome Gallery, Berlin
    • 2013
      • I am the dog that was always here (loop), commission for 13th Istanbul Biennale. Curated by Fulya Erdemici
      • Now you see us now you don’t, commission for 5533, Istanbul. Curated by Filiz Avunduk
      • Reversed, commission for Constellation Donostia, Museo San Telmo Donostia, San Sebastian. Curated by Peio Aguire
      • Between the walls of this building and between the covers of these books, commission for Critical Mass, Sankt Petersburg. Curated by Anna Bitkina
    • 2012
      • Psychic (The past the present the future), commission for When Attitudes Becomes Form Become Attitudes, CCA Wattis, San Francisco. Curated by Jens Hoffman
      • The Trilogy, Künstlerhaus Stuttgart. Curated by Adnan Yildiz
      • A Rehearsal/Fable of the Bees, commission for Flat Time House, London. Curated by Fatima Hellberg
      • The Great Good Place, Krome Gallery, Berlin
    • 2011
      • Wir Bleiben, commission for Europe n, GFZK, Leipzig. Curated by Peio Aguirre
      • The Parade, commission for Public Folklore, Steirischer Herbst/Grazer Kunstverein, Graz. Curated by Sören Grammel
      • The plan was sound; its execution faulthy, commission for Symphony/Sound Fair, Vernerklausen Verner, Berlin. Curated by Clara Meister, Ari  Benjamin Meyers and Thomas Mayer
    • 2010
      • The Kitchen, commission for Correct me if I’m Critical, Felleshuset, Café Nest, Berlin and Yakub, Istanbul. Curated by Adnan Yildiz
      • Hanna Arendt Band, commission for Correct me if I’m critical, Basso, Berlin. Curated by Adnan Yildiz.
      • Wir sind wieder da, DAAD Galerie, Berlin. Curated by Ariane Beyn
      • Hayward Gallery, commission for Hayward Gallery, London. Curated by Tom Morton
    • 2009
      • We are not who you think we are 1-4, commission for Lapdogs of the Bourgeoisie, Arnolfini, Bristol (2009), Townhouse, Cairo (2008), Tensta Konsthall, Stockholm (2008), Platform Garantie, Istanbul (2007), Gasworks, London (2006). Curated by Nav Haq and Tirdad Zolghadr
      • A Rehersal, commission for Live Art, Kunstnernes Hus, Olso
    • 2008
      • The Prize of Forgiveness, Index, Stockholm and Dakar Biennale. Curated by Mats Stjernstedt
      • Maximum Happiness, Yes, No and Other Options, Sheffield Biennale. Curated by Jan Verwoert
      • Annika Eriksson, Gothenburg Konsthall
      • Museum Anna Nordlander, Skellefteå
      • The Man in the Park, commission for Mobile Art Productions, Stockholm. Curated by Magdalena Malm
    • 2007
      • Thirty-Nine Years Later, commission for Reading back and forth, Sterlische Herbst, Stadtmuseum Graz. Curated by Reinard Brown
      • The Soundtrack, Cubitt Gallery, London. Curated by Tom Morton
    • 2006
      • Eine Probe, Kunstverein Langenhagen
      • Ms Jauns and her Team, commissioned by Volkswagen, Wolfsburg
      • Berlin in Eight Hours commissioned for Tokyo-Berlin Berlin-Tokyo, Mori Art Museum, Tokyo. Curated by Mami Kataoka and Davis Elliot
      • Staff at Mori Art Museum commission for Tokyo-Berlin Berlin-Tokyo, Neue Nationalgalerie, Berlin. Curated by Mami Kataoka and David Elliot
      • The Brainchild commission for Happy Believers, Werkleitzbiennale, Halle. Curated by Solveig Olesen
    • 2005
      • Games Machine, commission for IASPIS and Venice Biennale. Curated by Sara Arrhenius
      • The Construction 4, commission for 24 Hour Incidental, Performa05, Swiss Institute, New York. Curated by Jordan Wolfson
    • 2004
      • Do you want an Audience? Comission for Frieze Projects, Frieze Art Fair, London. Curated by Polly Staple
      • The Session, commission for BerlinNorth, Hamburger Bahnhof, Berlin. Curated by Gabriele Knapstein
    • 2003
      • Arbeitswelt, commission for Kunstverein, Munich. Curated by Maria Lind
      • Why did you go to Düsseldorf? Commission for Spektakular-The Art of Action, Museum Kunstpalast, Düsseldorf. Curated by Jens Hoffman
      • The Future is Here, commisison for Perefic Biennale, Iasi, Romania. Curated by Anders Kruger
    • 2002
      • Staff at Sao Paulo Biennale, commission 25th Biennale de Sao Paulo. Swedish participation curated by Maria Lind
    • 2001
      • Anagram, commission for Vi-Intentional Communities, Rooseum, Malmö and CAC Vilnius. Curated by Charles Esche
      • Staff at Malmö Konst Museum, Malmö Konst Museum
      • Curating Students Goldsmith College, Goldsmiths College, London
      • Cat Conversation, commission for Magnetic Speach, The Bastad no. 7. Curated by Clémentine Deliss.
    • 2000
      • Connecticut Fire Fighters Pipes and Drums, commission for Speed of Vision, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
      • The Construction 2, commission for Democracy, Royal College of Art Galleries, London
      • The Construction 3, Andréhn Schiptjenko, Stockholm
      • Staff at Moderna Museet, commission for Organizing Freedom, Moderna Museet, Stockholm. Curated by David Elliot
      • Negativ bakgrundsmusik, Sveriges Radio, Stockholm
      • Soziale Sabotage-Eine Übung, commission for DisPlaced, Sophienhof, Kiel
      • People working in this Area, commission for Shout and Scream, Münster
    • 1999
      • Soziale Sabotage, commission for Museum in Progress, Vienna. Curated by Hans Ulrich Obrist and Daniel Birnbaum
      • The Hidden Power of Humanity, Medborgarplatsen, Stockholm
    • 1998
      • Collectors, commission for Moderna Museet Projekt, Stockholm. Curated by Maria Lind
      • Silberlocken, commission for Do all oceans have walls? Gesellschaft für Aktuelle Kunst, Bremen. Curated by Eva Schmidt
    • 1997
      • Everything will be alright, commission for Strange encounters, Bricks and Kicks, Vienna.
      • Ernst Fussers Dream, commission for X-squared, Sessesion, Vienna. Curated by Andreas Siegel
    • 1996
      • Copenhagen Postmen’s Orchestra, commission for Now-Here Work in Progress, Louisiana Museum of Modern Art, Humlebæck. Curated by Iwona Blazwick
      • Stockholm’s Postmen’s Orchestra, commission for Andréhn Schiptjenko, Stockholm
      • Two Men and a Sheep 3, commission for I am curious/Come and see us, Independent Art Space, London. Curated by Mats Stjernstedt
    • 1995
      • Two Men and a Sheep, 1, Östermalm, Stockholm and 2, Hackescher Höfe, Berlin
      • Three Possibilities, for Sveriges Television, Stockholm. Curated by CM von Hausswolf
      • Mamma, Enkehuset, Stockholm. Curated with Magnus Bärtås and Peter Hagdah
    • 1993
      • Plantering med gråtande hus, Norrtälje Konsthall
    • 1992
      • En annan resa, Malmö Konst Museum
    • 1991
      • Får jag lov att presentera? Shopwindows, Värnhemstorget, Malmö. Curated with David Krantz, Michael Johansson and Leif Palmqvist
  • Selected Group Exhibitions and Screenings

    • 2019
      • Part of the Labyrint, Gothenburg International Biennial for Contemporary Art. Curated by Lisa Rosendahl
    • 2018
      • Stories of Belonging, Tartu Art Museum. Curated by Hanna-Liis Kont
      • Art and Shops, Tensta Konsthall, Stockholm. Curated by Maria Lind and Hanna Nordell
      • A Screening program by Birbucuk, Recontre Avec, Nice. Curated by Kevser Guler
      • I am the dog that was always here (loop), screening, X-berg Pavilion. Curated by Burak Erkil.
      • Video Art After Midnight, screening festival, Babylon Kino, Berlin. Curated by Olaf Stüber
    • 2017
      • After the Exhibition, HKS, Bergen. Curated by Anthea Buys
      • 298 111 OFF Museum Program, Museum Slaskie, Katowice. Curated by Sebastian Cichocki
      • Survival Kit, Latvian Centre for Contemporary Art, Riga. Curated by Inga Lace, Solvita Krese and Jonathan Habib Enqvist
      • Show and Tell, Malmö Konstmuseum. Curated by Cecilia Wiedenheim and Matts Leiderstam
      • About Charlotte von Mahlsdorf (I am a perfectly happy person). Lecture for for Berliner Sessions, Kunstwerke and DAAD, Berlin
    • 2016
      • Outside the Sentence there was a city SALT Ulus, Ankara. Curated by November Paynter
      • If all of the Moons, Savvy Contemporary, Berlin
    • 2015
      • Future Light, Vienna Biennale. Curated by Maria Lind
      • Mirror Images, Medizinhistorisches Museum der Charité, Berlin and Kunstmuseum Thun. Curated by Alessandra Pace
      • Life’s finest values, Kunsthalle Exnergasse, Vienna. Curated by Ina Wudke and Florian Wust
      • Every inclusion is an exclusion of other possibilities, Salt, Istanbul. Curated by November Paynter and Vasif Kortun
      • The Nordic Model, Malmö Konst Museum
    • 2014
      • Menagerie Australian Centre for Contemporary Art, Melbourne
      • Operating in Multiple Realities/What Now, screening at Art in General, New York. Curated by Basak Senova
    • 2013
      • Video Art after Midnight, Kino Babylon, Berlin. Curated by by Olaf Stüber and Ivo Wessel
    • 2012
      • Shanghai Biennale Istanbul section. Curated by Defne Ayas
      • The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev Biennale. Curated by David Elliot
    • 2011
      • Døgnvill, Lofoten. Curated with Mats Stjernstedt
    • 2010
      • Squatting/Erinnen, Vergessen, Besetzen, Temporäre Kunsthalle, Berlin. Curated by Tilo Schultz
      • Manufacturing Today, Trondheim, Norway. Curated by Christina Ricupero
      • Le Temps du Corps Centre Cultural Suedois, Paris
      • Schazam, Gallery GerhardsenGerner, Berlin
    • 2009
      • Code Share, CAC, Villnius
      • Zeigen an Audotour Temporäry Kunsthalle, Berlin. Curated by Karin Sander
    • 2008
      • The Greenroom, Bard College, New York. Curated by Maria Lind
      • The Sound I’m looking For, Emily Carr Institute, Vancouver
      • Museum as a Medium, Vigo Museum of Contemporary Art, Vigo and Koldo Mitxelena, San Sebastian
    • 2007
      • Die Präsenproduzenten, Kunsthalle im Haus für Ideen, Columbus Art Foundation, Ravensburg. Curated by Tilo Schultz
      • Collectors, Trafo Gallery Budapest
      • Äkta Vara, Röda Sten, Gothenburg. Curated by Lisa Rosendahl
      • The institutions as a Microcosm; Do we really have to do this? Lecture, Overgaden, Copenhagen
    • 2006
      • Tokyo-Berlin Berlin-Tokyo, Mori Art Museum, Tokyo and Neue Nationalgalerie, Berlin. Curated by Mami Kataoka and David Elliot
      • Archaeology of Reality, Latvian Contemporary Art Centre, Riga. Curated by Solvita Krese
      • Verkehrskultur, Kunstverein Münster. Curated by Anja Casser
      • Traurig sicher: On Insecurity and other Fears, Grazer Kunstverein, Graz. Curated by Sören Grammel.
      • Modernautställningen, Moderna Museet, Stockholm. Curated by Magdalena Malm, Fredrik Liew and JP Nilsson
      • 40jahrevideokunst.de, Museum der Bildenden Künste Leipzig, Lenbachhaus München, Kunsthalle Bremen, ZKM Karlsruhe, K21 Düsseldorf and Kulturstiftung des Bundes, Halle
    • 2005
      • You only live twice, Man in the Holocene/Fortescue Avenue, London. Curated by Tom Morton
      • Circa Berlin, Nicolai Contemporary Art Center, Copenhagen. Curated by Simon Sheik
      • Spectacle, Pleasure Principle or the Carnevalesque, Shedhalle, Zurich. Curated by Katharina Schleiben
    • 2004
      • Live, Palais de Tokyo, Paris. Curated by Johannes Fricke Waldhausen
      • Off the Record, ARC, Museé dÁrt de la Ville de Paris
      • Sparwasser at Platform, Platform, Istanbul. Curated by Lisa Nellerman
      • Social Affairs, Ministery of Social Affairs, Hauge. Curated by Bik van der Pool
    • 2003
      • Biennale De L’image, Geneva. Curated by Charles Esche
      • Es ist schwer das Reale zu berühren, screening, Kunstverein München. Curated by Maria Lind and Søren Grammel
    • 2002
      • Teaser, DAAD Gallerie, Berlin
      • The music in me, Gessellschaft für Aktuelle Kunst, Bremen.
      • Reopening, Moderna Museet, Stockholm
      • Nordic Images, Elba Benitez Galeria, Madrid
      • Language-Dialogue, National Museum of Contemporary Art, Korea
      • Fixation:Notions of Obsession Lopez Memorial Museum, Manilla
      • Moderna Museet c/o Magasin 3 Stockholm Konsthall
    • 2001
      • Everything can be different, Independent Curators International, New York. Curated by Maria Lind
    • 2000
      • Dak Art, Biennale, Dakar. Curated by David Elliot
    • 1999
      • Retake NAK Neuer Aachener Kunstverein. Curated by Ulrike Groos and Raimar Stange
    • 1998
      • Come Closer, 90s Art from Scandinavia and some Predecessors, Liechtensteinischen Staatlichen Kunstsammlung, Vaduz, Nicolaikirke, Copenhagen and Museum Ludwig, Budapest. Curated by Maria Lind
      • Nuit blanche, Museé d’art Moderne, Ville de Paris. Curated by Hans Ulrich Obrist
      • Best Before, Offenses Kulturhaus, Linz, Galerie 5021, Saltzburg
      • Little big stories, The Museum of the city of Skopje and Riksarkivet, Stockholm. Curated by Suzanna Milevska
      • A visit from Stockholm, James van Damme Gallery, Bryssel
      • Stuff it, Ynglingagatan, Stockholm
    • 1997
      • Letter and Event, Apex Art, New York. Curated by Maria Lind
      • Conspiracy, Soap Factory, Aten, FOKA, Thessaloniki and Uppsala Konstmuseum. Curated by Magnus Bärtås
    • 1996
      • Reternity, Nationalmuseum, Stockholm
    • 1994
      • New reality Mix performance festival, Stockholm. Curated by Lotta Antonsson, Annika von Hausswolf , CM von Hausswolf, Karl Holmqvist and Henrik Håkansson
    • 1993
      • Feel Good Gallery, in my studio, Stockholm
      • ICA Malmborgs City Shopping mall, Malmö
      • Vredgar ett konstnärsliv, lecture, ABF huset, Stockholm
    • 1991
      • Begär och begränsning, Forum, Stockholm, Hårlemans hall, Malmö and Konstepedemien, Gothenburg. Curated by Peter Hagdahl
    • 2019
      • Part of the Labyrint, Gothenburg International Biennial for Contemporary Art. Curated by Lisa Rosendahl.
  • Selected Lectures and Workshops

    • 2019
      • The Voice of the Artist, workshop, Art Academy Umeå
      • Lecture and studio visits, Academy of Fine Arts, Nürnberg
      • External tutor for graduating BA-students, Art Academy Umeå
    • 2018
      • Alpha Centauri, workshops and exhibition in collaboration with Fatima Hellberg and Künstlerhaus Stuttgart with students from Royal Institute of Art, Stockholm and Staatliche Akademie der Bildenden Künste Stuttgart
      • The Secret Project, in the women prison Färingsö, outside Stockholm, workshop and exhibition, with students from the Royal Institute of Art, Stockholm
      • Lecture and studio visits, the Art Academy Umeå
    • 2017
      • I am a perfectly happy person (Charlotte von Mahlsdorf), lecture for Berliner Sessions, Kunst-Werke Institute for Contemporary Art, Berlin
      • External tutor for the graduation students, Curator Lab, Konstfack University of Art Craft and Design, Stockholm
      • Everything can not be controlled by the will, Jakobsgården, Bredäng/Stockholm, workshop and public presentation, with students from the Royal Institute of Art, Stockholm
    • 2015
      • Lecture, Akademie der Künste, Berlin
      • Lecture, University of Lincoln, UK
      • Lecture, Oslo National Academy of the Arts
      • Lecture and studio visits, Art Academy Nürnberg
    • 2014
      • Lecture and studio visits, Nottingham University
      • The Gods have Landed, workshop and public presentation in collaboration with Västerbottens Museum with students from the Art Academy Umeå
      • Conversation with Jan Verwoert, Krome Gallery, Berlin
    • 2011
      • Lecture and studio visits, Oslo Art Academy
      • Lecture and studio visits, Royal Institute of Art, Stockholm
    • 2010
      • Conversation with Jan Verwoert, Temporary Kunsthalle, Berlin
      • Lecture and studio visits, Weimar Art Academy
      • Work Work Work, lecture, IASPIS, Stockholm
      • Hallucinations of Unrealised Futures, workshop and public presentation in the city of Bergen with students from the Art Academy, Bergen
    • 2008
      • Conversation with Tom Morton, Portavilion, Regent’s Park, London
      • Lecture, Site Gallery, Sheffield
      • Conversation with Mats Stjernstedt, Gothenburg Konsthall
    • 2007
      • I Folkets Park, workshop and public presentation in the Peoples Park, Malmö with students from the Art Academy of Malmö
      • Lecture and studio visits, Art Academy Bergen
      • The institutions as a Microcosm; Do we really have to do this?  Lecture, Overgaden, Copenhagen.
      • Lecture, Kunstverein Langenhagen
    • 2006
      • Hökarängen/En öppen ej stad bygger vi gemnsamt, workshop and public presentation in the area of Hökarängen with students from the Royal Art Academy Stockholm
      • Lecture, London College of Communication
      • Lecture, Mori Art Museum, Tokyo
    • 2005
      • Lecture and studio visits, Royal Institute of Art, Stockholm
      • Lecture, Art Academy Hamburg
    • 2003
      • Lecture, Platform Garanti Contemporary Art Center, Istanbul
      • Lecture, Akademie der Künste, Berlin
    • 2002
      • Lecture, Academy of Visual Arts, Leipzig
      • Lecture, DAAD Gallery, Berlin
      • Lecture and workshop, Norrköpings University
      • Lecture and workshop, Art Academy Valand, Gothenburg
    • 2001
      • Lecture and workshop, Goldsmiths College, London
      • Lecture, Malmö Art Academy
    • 1997
      • KomKom, workshop and public presentation in a bar in Stockholm with students from Konstfack, Stockholm
    • 1996
      • Normality, workshop and public presentations in various shop windows with students from Konstfack, Stockholm
    • 1995
      • Lecture and workshop, Konstfack, Stockholm
      • Lecture and studio visits, Malmö Art School Forum
  • Teaching Positions

    •  

        Factulty of Fine Art, Music and Design, Bergen as adjunct professor, 2011 –

        The Royal Art Academy, Stockholm, as visiting professor, 2017-2019

        Malmö Art Academy, as adjunct professor 2003 – 2009

        Malmö Art Academy, as external advisor 2002 – 2003 and 2010-2011

        Konstfack University of Arts, Craft and Design, Stockholm as lecturer, 1996 – 2002